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{"id":11723,"date":"2016-07-12T13:50:21","date_gmt":"2016-07-12T13:50:21","guid":{"rendered":"http:\/\/www.dreff.org\/dreff2016\/?p=11723"},"modified":"2016-08-25T02:10:32","modified_gmt":"2016-08-25T02:10:32","slug":"peter-plastico","status":"publish","type":"post","link":"https:\/\/www.dreff.org\/2016\/peter-plastico\/","title":{"rendered":"PETer Plastic"},"content":{"rendered":"<p>PETer Plastik discovers the benefits and disadvantages of using plastic.<\/p>\n<p>Director: Arnold Abadie Ramos<\/p>\n<p>Country: Mexico<\/p>\n<p>Year: 2015<\/p>\n<p>Duration: 3:35 min<\/p>\n<p>Language: no dialogue<\/p>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" class=\"alignleft wp-image-11743 size-thumbnail\" src=\"http:\/\/www.dreff.org\/dreff2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1-150x150.jpg\" alt=\"Peter_Plastik_Director_1\" width=\"120\" height=\"120\" srcset=\"https:\/\/www.dreff.org\/2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1-150x150.jpg 150w, https:\/\/www.dreff.org\/2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1-300x300.jpg 300w, https:\/\/www.dreff.org\/2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1-768x768.jpg 768w, https:\/\/www.dreff.org\/2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1-1024x1024.jpg 1024w, https:\/\/www.dreff.org\/2016\/wp-content\/uploads\/2016\/07\/Peter_Plastik_Director_1.jpg 1052w\" sizes=\"(max-width: 120px) 85vw, 120px\" \/>Arnold Abadie Ramos<\/strong><\/p>\n<p>As partner and creative director of found objects, Gabriel conceives the strategy and content for CSR and NGO clients seeking to make a public impact. With his experience in documentary making, Gabriel has focused his narration career on the most important political issues of the day. He has produced and directed films and campaigns that bring international audiences stories on overlooked issues ranging from prison conditions to climate change. His films have been broadcast nationally and internationally on channels like MTV and presented in festivals like IDFA, the Urbanworld Film Festival, and Tierra Viva.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mexico &#8211; 2015<\/p>\n","protected":false},"author":5,"featured_media":11747,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[5,2,15],"tags":[],"_links":{"self":[{"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/posts\/11723"}],"collection":[{"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/comments?post=11723"}],"version-history":[{"count":4,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/posts\/11723\/revisions"}],"predecessor-version":[{"id":13532,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/posts\/11723\/revisions\/13532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/media\/11747"}],"wp:attachment":[{"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/media?parent=11723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/categories?post=11723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dreff.org\/2016\/wp-json\/wp\/v2\/tags?post=11723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}